Welcome back to part two of this series! Today, I want to talk about how to select and combine elements from your archive to build a small design collection. Last week, I showed you a double page filled with colorful shapes that I use as inspiration. My ultimate goal is to finish an artwork and […]
From Archive to Design — Part 2: Making Choices Read More »
Taking the pressure off and simply starting. Welcome to the start of a brand new creative journey! Lately, I’ve been focusing on the creative process as a form of self-discovery and deceleration. I truly believe that creating without the pressure of a perfect result brings the most joy. That is exactly the mindset behind my
From Archive to Design – Start Simple (Part 1) Read More »
For a long time, creative practice felt like an endless race of making, producing, and immediately sharing. We look at beautiful, established feeds and feel the pressure to already be at the finish line. But what if the pressure to perform is simply the wrong expectation? In my new video, Beyond Making: How to Curate Art
Acting as if: Why I stopped producing and started curating Read More »
For a long time I thought Gelli Plate printing was about the print. One layer, one result, done. Then I started experimenting differently. Instead of building layers on paper, I began layering directly on the plate – adding color, moving it, adding more, letting it mix and shift before the paper even touches the surface.
Gelli Plate Layering: How I Found My Abstract Style Through Color and Repetition Read More »
For the past five days of my journey, I’ve immersed myself in the world of Mark Rothko’s color field paintings. When we look to other artists for inspiration, it’s never about copying. Instead, their work serves as a springboard for our own exploration. It’s a starting point, a direction to lean into. I know it can
What Mark Rothko Taught Me About Failure and Discovery – Day 50 of My 100-Day Project Read More »
When I started my 100 Day Project, I had a clear idea in mind:Every day I would observe cracks in the pavement and translate them onto paper in one way or another. I discovered this exercise in Corita Kent’s book Creating from the Heart, and it had always fascinated me. The idea that something can appear
What to Do When Your 100 Day Project Isn’t Working Read More »
Before I Submitted Anything For a long time, my collages existed only in my own space. I shared them online, but submitting them to an exhibition always felt like something other people did. I was never quite sure if my work really belonged there. During the course Poetry and Place with Fibre Arts Take Two, something shifted.
Submitting My Work to an Online Exhibition — A Small but Real Step Read More »
When we look at artists who seem “finished” today, it’s easy to foget how long it actually took them to get there. We see a polished Instagram feed, a website, a shop, maybe even books or exhibitions.And without noticing it, we start believing that this is how we should show up too — even at
As an artist, I’ve always believed that creativity begins long before a piece of paper touches the table. It begins in the places that move us — the environments that shape our inner landscape and open something quiet inside us. Over the past months, I’ve been exploring new layers, transparencies, and forms in my collage
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